Apr. 2nd, 2017

dorchadas: (Great Old Ones)
Dramatis Personae
  • Demir Sadik, Turkish Revolutionary/Field Medic
  • Jazmina Moric, Croat Linguist
  • Luc Durand, French Professor of Linguistics
  • Rosaline St. Clair, American Antiquities Dealer
  • Valentina Durnovo, Russian Countess/Gentlewoman
The train pulled up to Belgrade at 9 a.m., disgorging the investigators amongst a swarm of children eager to help them with their luggage and calling in a variety of languages. Demir snatched his suitcase back from a child and the rest of the party tried to keep track of their luggage when a young man called out to them in accented English. He introduced himself as Pieter Riticht and offered to guide them during their stay in Belgrade, suggesting the Hotel Moskva as a good place to stay. After a moment's consultation, the investigators took him up on his offer.

After dropping off their luggage at the hotel and arranging for Pieter to return in an hour, Jazmina called the National Museum to ask after the director. The secretary replied that Dr. Todorovic would not be available until 3 p.m., so the investigators decided to go to the Turkish Bazaar first and then go to the museum in the afternoon. They waited until Pieter returned to the hotel and allowed him to guide them to the bazaar.

The rest of the group was astonished to see the chan in Demir's mannerisms at the Turkish bazaar as he laughed, told jokes, needled the merchants, and was generally jovial while the professor followed along as best he could with his textbook Turkish. Rosaline wandered off to go look for antiquities and the others looked for new sets of clothes--Demir's clothes had a conspicuous hole in it, but the others' clothing was a bit worn after a month and a half traveling across the continent. As they were shopping, they noticed a fortune teller, an old woman of indeterminate ethnicity with a black hen at her feet, and the professor and countess went over to have their fortunes told. After a moment and with some reservations, Jazmina followed them to translate.

The woman reached into the hen's nest and pulled out an egg, and after waving it three times widdershins over their heads, she poked a hole in both ends and blew the contents out onto a plate. She peered at the contents and told them that they had lost someone or something, both recently and in the distant past. They seek something that was once whole and now is not, and they are on a journey. She told them to "Beware the one who is unseen" and that "The three who greet you are old as man," but did not explain and ends her divination.

As she was speaking, Jazmina had noticed that her hen was staring at the professor and countess fixedly, almost with anticipation, and as the divination ended, she questioned the fortune teller about it.
Jazmina: "Your chicken is staring."
Fortune Teller: "It is a chicken."  photo emot-colbert.gif
She was dismissive and broke off conversation, grumbling that she didn't have to explain herself, and Jazmina did not pursue the issue.

As they left to look for Rosaline, someone called out to them from the crowd and then a man walked up and asked them to help find his lost child. Demir brushed him off, but turned back to find that his brass knuckles had been stolen. When Pieter noticed this, he apologized profusely, blaming the Roma in the city. Demir scrutinized him carefully, but he seemed genuinely remorseful and not as though he was the point man in part of a scheme to rob travelers, so they accepted his explanation.

When they met with Rosaline in an area of the market devoted to antiquities, Jazmina spotted something that looked very similar to the simulacrum! They entered the stall and asked the man about the arm, but as he brought it out to be inspected, a burly mustachioed man ran into the stall, shoved Rosaline aside, and grabbed the arm, running off into the market! The seller shouted about thieves as the investigators gave chase, followed by some of the dealer's friends. They shoved their way through a narrow alleyway, leaped over a carpet seller, and pushed into a dense crowd. At this point Rosaline and Jazmina caught up with the thief, who swung the arm at them and a melee broke out. It was brief, ending as the man smashed the arm into Jazmina's right side, causing it to shatter into pieces and severely lacerating her. The professor ran up to administer first aid as the thief withdrew to join his associates, and as the shouts of the police drew closer, Pieter urged them to run and they followed him advice.

After a leisurely lunch and a visit to the hospital for Jazmina, the investigators went to the National Museum to meet with Dr. Todorovic, which they found in a museum hall, inspecting a statue of Venus. Throwing caution to the wind for once, the professor introduced himself and his companions, explained that they came on behalf of Professor Smith of London, and sought the Sedefkar Simulacrum. Dr. Todorovic wasn't familiar with the statue, but he knew of Professor Smith and mentioned his antiquities contact in the countryside, including showing some pieces provided by said contact, but said that there was a prohibition on exporting antiquities without a specific permit and would not give the name of his contact without a permit. The professor arranged a meeting the following morning and they went over to the government offices to get a permit.

Jazmina spoke to the secretary and after being led down several corridors, through stairs, through rooms, and down a stairway that almost certainly should have led to the boiler room, the investigators arrived at a small office. The man inside was unloved by their protestations until the professor revealed his station, at which point the man mentioned the poor of his village, the orphans left by the war, and gave the professor a knowing look. After a brief bit of haggling, the professor handed over £12 and the man wrote up a blank permit that the investigators could fill out later, and they were almost pushed out before the offices closed. They went back to the hotel and had dinner, after which they spent the evening relaxing and Demir went to have his tattoos repaired by a black market tattoo artist. Then, everyone went to sleep.

In the morning Dr. Todorovic arrived at their hotel to inspect the piece of the simulacrum. He was astonished at what he saw and said that he was unable to determine its provenience or its material, but he said that when he looked at it under the microphone, the arm appeared to be carved entirely out of entwined smaller arms. After asking if he could examine the other pieces and being told there was no time, he gave the investigators the name of his contact--Father Christian Filipovic, the village priest in the town of Orašac south of Belgrade. After offering to examine the statue when the investigators make their return trip, Dr. Todorovic bade them good day.

Before arranging tickets, the investigators went to the national library to research Orašac. In addition to some national propaganda about how the village was the birthplace of first Serbian uprising against the Ottomans, they found a record about a Byzantine expedition by Nikephoros I against a local cult of Cybele, where during the burning the form of the goddess rose out of the flames, hair waving like serpents find screaming with many mouths such that hardened soldiers fled in terror, but in the morning there was nothing in the temple but ashes.  photo Emoticon.gif

They went back to the hotel and packed their luggage, among sure to arrange storage of the pieces of the simulacrum with the hotel since it was far too dangerous to bring with them and too dangerous to leave unguarded. As they were packing, Demir reached to move the Mims Sahis after noticing that it had somehow come unwrapped and accidentally brushed his skin against it. Before he had realized quite what had happened, he wrapped his hand around the handle and thoughts filled his mind of skinning and using the skins to achieve...something. He made half a movement toward the pieces of the Sedefkar Simulacrum before he managed to put down the dagger and, carefully wrapping it up again, he tied it with string and put it away.

The train to Orašac was extremely crowded, mostly with Serbs, though there were also some animals as families brought food home into the countryside. At one point, the countess left her seat and when she returned, she found it occupied by a large, stubborn-looking, and very determined to remain in place rooster. Nothing she did could dislodge it, when it pecked through a coat that Demir threw over it, the investigators decided to leave the seat to it for the remainder of the journey. After fighting through a crush of people to change trains in Mladenovic and taking a small rural train to Arandjelovac, the investigators disembarked in a rural area as the sun began to set. Seeing their confused looks, a local pointed to a set of wagon tracks and Jazmina managed to convince a farmer to allow them to ride in his wagon to Orašac.

Orašac was a rural town, with dirt roads and animals visble from the road. Children stopped playing when the investigators approached, and things seemed like they might be difficult until a housewife approached and asked them their business in the village. Jazmina explained that they were looking for Father Filipovic, whereon the woman offered to guide them to his house at the top of the hill. They were greeted by the father and his wife Ibrisa, as well as the local mayor, Todor Nedic, and his wife Ilija, all of whom are happy to meet foreign guests. The priest asks the investigators their business, and when told about Dr. Todorovic directing them to the wilderness, he asks if they wish to meet "grandmother." She is a local woman who lives alone in the woods, as long as anyone can remember, but who is sharp as a tack and who has made good money from the National Museum with the sculpture she sends on. The investigators cannot go there tonight, however, since it is already very late, so the priest and mayor offer to allow them to stay in their homes and the mayor invites them to dinner.

As they leave for dinner, Rosaline notices a photo of the priest's wife from their wedding day. A younger Father Filopovic, and his best man Todor Nedic, beam out in wedding finery, while Ibrisa is also radiant. Rosaline does notice, however, that while Filopovic and Nedic look their age, perhaps in their sixties, Ibrisa appears to be her in late thirties at most now, little changed from her appearance in the photo...
Annals of the Fallen
  1. Gianni Abbadelli, Italian Vatican Parapsychologist, arm torn off by čudovište in Vinkovci, February 8th, 1923.
This is the section of the original Horror on the Orient Express that I remember the most about and part of the reason for all the [REDACTED] in my earlier posts. I thought it was one ridiculous nonsequitur the first time I listened, but [livejournal.com profile] mutantur has said that they've made more of an effort to blend it in with the rest of the campaign, so I'm eager to see what happened.

I really want to harness the black chickens and unleash them on our enemies, though. There was some frustration over the inability to move the chicken out of the seat, since it was set up as a moment of weirdness but without enough context to explain why it was that it refused to move or why no effort by the investigators could move it either. Fortunately, we eventually gave up and moved on without taking too much damage from the Immovable Chicken's claws of doom. I have seen HotOE players who were not so lucky.

Also, as [livejournal.com profile] mutantur was describing the camaraderie on the train and the way the villagers welcomed the foreign guests with open arms, [personal profile] schoolpsychnerd and I kept confirming everything he said. We have real-life experience with that kind of thing, in Japan. Of course, this is Call of Cthulhu, so they could be setting up for the Foreigner-Skinning Festival, but I guess we'll see!  photo shrug2.gif

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