ACEN 2025

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It's been a while since I stayed at a hotel other than the Hyatt. This year, however, my luck finally ran out--when the hotel lottery happened I failed to get a room at the Hyatt, and then I failed to get rooms at the other hotels I tried. Fortunately, Anime Chicago as a community prepares for this. Several people grabbed extra rooms in the knowledge that there would definitely be people who missed out, and I was able to get one at the Embassy Suites. I've never stayed here before--I've stayed at the Doubletree, and at the Hilton, but this was a first...and honestly I'd go back. The rooms are huge and, more importantly for a couple with a four-year-old, they're suites. There's a front room with a couch, an armchair, a table with more chairs, and a little bar area, then a door between the two connecting rooms, so we don't need to turn all the lights out and immediately go to bed when it's time for Laila to go to sleep. I would say "You can't buy that kind of peace for money" but we obviously did.
And now, the daily accounting.
Thursday
I did not take any part of Thursday off--a bad decision on my part--though I did get up early and go to work early to leave early. After I closed the laptop and logged off, we finished what little packing we had left, mostly odds and ends and making sure that all of Laila's friends (her stuffed animals) were there. Then we went out into the heat.
So the thing about Chicago weather is that it see-saws like crazy in spring. Less than a week ago we needed heavy coats when we went outside and today it was 30°C. It'll be the same tomorrow and then in two days it'll be 14° instead. We walked to the bus stop in the heat, missed the bus by literally two seconds, and when we got on the next bus it just crawled, taking over an hour to make the trip down Foster Avenue that usually takes forty minutes. We had the same problem on the train, which was literally going slower than the traffic on the highway, but after two hours--forty-five minutes longer than it should have taken--we finally arrived at the hotel, checked in, and went to our room on the top floor. Laila immediately ran over and jumped on the bed, but we had other plans. There was an Anime Chicago meetup down at the restaurant on the first floor--it had historically been held at the bar in the Hyatt, but last year they demanded a $2000 up-front free and
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I sat in the front room and read some let's plays while
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Friday
I was woken up by Laila taking a flying leap onto me in bed. I had slept in the outer room in the couch bed, since
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The other benefit of staying in the Embassy Suites, besides the ones I’ve already mentioned, is that you get complementary breakfast each day. Was it good? I mean, no, not really. The eggs were tasteless and a little runny,
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We saw
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I had forgotten the lines from last year (the first year they were implemented), and that year they were nightmarish. Nearly everyone got a full check, there were gigantic lines in the skyways that would have been a huge hazard in case of a fire or injury or anything, it was clearly not well planned at all. This year, it didn’t move at all until 9 a.m., but once it started moving we were through in only a couple minutes even though we had started down the block from the entrance. The line for Starbucks was another thirty minutes, but by the time we were done with all of that the dealer's room was finally open, so we followed the line and got inside.
Directly inside was the Bandai Namco gacha section, so I held onto Laila while
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We wandered around a bit, buying a Kuromi plush for Laila when she spotted it form twenty meters away and would not be dissuaded or pick any other plushie in the pile, and eventually just as we were ready to leave since Laila was getting a bit overwhelmed, she spotted the princess and demanded we take a picture:

Just like last year.
Also just like last year, we went to the children's programming room, and just like last year Laila was the only child in there. The person running the panel remembered us, she said because of my hair, so we chatted a bit while
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We walked over to the convention center again and went through the line, which took no time at all (a massive difference from last year), to get to our first panel of the year: “Ja-PUN-ese” (subtitled 言葉で遊びましょう (kotoba de asobimashō, “let’s play with words”). After a brief intro about the basics of Japanese (fewer phonemes than English so there are a lot of homophones, many words can only be distinguished by context or the kanji they’re written with, most kanji have multiple pronunciations), the first example was Journey to the West, in Japanese 西遊記 (saiyūki), and the manga (very loosely) based on it, 最遊記 (saiyūki, "Journey to the Max)"—and hilariously my phone autocompleted that second kanji writing rather than the real one. There’s a demonslaying weapon called a Demon-killing Gun(魔死んガン, pronounced mashingan). There were a couple more examples, like how Luigi/Waluigi is a different format than Mario/Wario because 悪い (warui) means "bad."
After a brief mention of Japanese-native vs Chinese-derived pronunciations and a discussion of Japanese numbers (including the classic "four = death" superstition), the presenter mentioned that Tokyo Skytree is 634 meters tall, which can be pronounced "Musashi," the name of the old province in which it is located. A marathon is 42.19 km, which can be pronounced "Shi Ni I Ku," which can be written 死に行く, "I go to die." Five yen coins are traditionally offered at shrines because goen means "five yen" but when written 御縁 it means "connections" or "fate." Kitkats are lucky because the word sounds like きっと勝つ, (kitto katsu, "I'll definitely win!")
The next section was about dad jokes (オヤジギャグ, oyaji gyagu), with classic examples like 布団が吹っ飛んだ (futon ha futtonda, "the futon blew away") or うんこまったぞ (either un, komatta zo, "yeah, it’s troubling," or unko matta zo, "I had to wait to poop!"). She ended with advertising, including a mention of famous ad character Segata Sanshirō, both a name and also similar to セガサターンしろ, (sega satān shiro, "Play Sega Saturn!"). When the presentation ended, we left immediately when the person in the front row who had kept chipping in with his comments immediately asked a question.
After stopping for another Starbucks drink for
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There were a lot of Fallout cosplayers, actually--I assume the show has renewed interest in the setting. After ducking into the bathrooms it was time for the crab panel! 🦀
After a set of clips including Sailor Moon crabwalking and Doraemon turning into a crab, we got a brief history of the panel, which basically came down to "last minute panic over a topic."
"People have asked me 'Why crabs in anime?' and when you walked in here, maybe you thought the same thing. Well, when you leave, you’ll think the same thing."The panel was mostly clips from anime and カニげ (kanige, "crab games"), including Fight Crab and Tokimeki Memorial High School. It was interspersed with crab-related trivial questions and challenges like "Name five crab-related Pokémon in fifteen seconds." We learned that February 13th is Crab Rangoon Day! They even played a clip from Wakakozake, which made
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After the panel was over I asked about dinner plans but everyone was already either at dinner or not hungry, so fueled by
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There were five rooms in the crawl, themed as follows:
- The Mushi Banquet:
spacedragon and
gmarchan's room, themed after Mushishi. Soft lighting, with little plastic vines strewn up everywhere and soothing piano music playing. The drink was chamomile tea with a shot of sake in the center, and the more you drank, the more the sake spilled into the tea. The plastic cups were designed specifically for bomb-style drinks so the entire thing was one piece already.
- The Limey Pirates:
robin.hammer8,
gracielizabeth, and
staina.x's room. We walked in to the strains of Lazy Town's "You Are a Pirate" to find the ladies dressed in nautical attire...and the room done up with limes and virus warnings, because this was also about internet piracy. The drink was sprite and yuzu vodka in a punch bowl.
- Hydration Station:
mm55134 and his girlfriend's room, done as a relaxing tropical destination. I say hydration station and while they did have plenty of bottles of water, they also had a lot of mai tais and rum punch drinks already made, as well as butter mochi cakes and chocolate chip cookies made by his girlfriend. Every last bit of cookie or cake got eaten.
- Cyberia:
jeremy.podczerwinski and
erendira.morales's room. The room was based on a scene from Serial Experiments Lain, a show I've been meaning to watch for fifteen years and still haven't gotten around to watching, and
jeremy.podczerwinski had adopted a very incongruous persona that we called "DJpod."
erendira.morales, of course, was Lain. Near the end of the time there, the feed was "hacked."
sashagee says they always have the best rooms--last year was Cardcaptor Sakura themed--and I'm very sympathetic to that argument. The drink was vodka and lime with a cherry.
- The Struggling Artist:
confuciusdragon's room. It was themed like an art studio where all of the other artists had suddenly quit, so there was a keyboard set up in the corner and sketches on all the walls. The drinks were tiny bottles of pre-mixed drinks, but because they were tiny they were almost 50 proof.
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Lain hacking the feed:

Saturday
We woke up at 8:30 a.m. and lazily got ready, without the pressure of a four-year-old to move us along. Breakfast was fortunately open later on the weekends, so at 9:15 a.m. we went down to breakfast, safe in the knowledge that basically nothing at the con opened before 10 a.m. anyway. We got lucky and nearly everyone else was done at breakfast at the same time, so we stayed there for an hour chatting until it was time to go back for
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Uzaki Hana from 宇崎ちゃんは遊びたい! (uzaki-chan wa asobitai!, "Uzaki-chan wants to hang out!").
We went to the Artist’s Alley first and once again
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No figurines in hand, we started walking toward the exhibitor section and I made us stop at the Japanese Cultural Center booth to watch a tea ceremony demonstration. A woman in kimono talked through what was going on while a man sat at a low table--as the woman said, tea ceremony is usually done on the floor but the table makes it easier to demonstrate it for an audience--and measured out the water to warm the implements, made some tea, and gave it to another man to drink. Then she took questions and said that people were welcome to take pictures. I declined, saying I used to live in Japan, but I did take a photo of the setup because I liked the message written on the scroll in the back:

日々是好日 (nichinichi kore kōnichi, usually translated as "every day is a good day" with the connotation that every day has the potential to be good)
We very briefly randomly ran into
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Tape source and snacks acquired, we went back down looking for people in the dealer's room but kept missing them. We did find
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...and
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After a brief intro, the presenter asked “Why are you collecting records?” Several people shouted out that the sound was better, and the presenter acknowledged that and then mentioned that a lot of people collect specifically for the artwork. They don’t even listen to the music, but some records have exclusive artwork that only appear on specific editions of that record. After mentioning some labels (Tigerlab, Microids, Blackscreen Records, All The Anime, Milan Records, Very Okay Vinyl, Materia Collective) and international shippers (old classics like CDJapan and PlayAsia), she mentioned a big problem with collecting is small press runs--a lot of runs were only a couple thousands copies, and while sometimes you’ll get another print run it’s not always true. She also mentioned that while color variants are great to look at and fun to hang on the wall, the south quality is actually worse because the weight of the color and art throws off the balance. There was a big section just going over various examples of different recent vinyl releases, most of which I hadn’t heard of and none of which I’d seen. At one point, though,
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We left and went for the game room, but

After we left, I texted around trying to find people. We also met
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Outside the hotel we were waiting for
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And then we went up to the room to eat—I scarfed down the remnants of
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After that, we went back to the room to get a breather before the rest of the night’s events. The traditional
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I did find a nice Barney on the way to the Hyatt:

We found
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We checked up and found that the party in
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sashagee: "Is this children's music?"
Me: "Have you ever heard of 'happy hardcore'?"spacedragon: *busts in like the Kool-Aid Man to lore-drop about Ryu☆*

There was at least one literal DDR song played, and also a dance remix of Cruel Angel's Thesis (if you want get a group of weebs jumping...)--this remix isn't it, but it sounds similar. Here are Second Heaven and Sakura Luminance if you want examples of his actual music.
Bonus Happy hardcore Tetris theme remix.
The absolute funniest thing that happened, though, was
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Sadly, we also left shortly thereafter because
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Sunday
We woke up at 9 a.m. and I got into the shower while
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The panel opened with a brief description of a Japonisme--"to designate a new field of study of artistic, historic, ethnographic borrowings from the arts of Japan"--and a screenshot of the Peacock Room, which was described as "the 19th century equivalent of a full-room anime collection," before moving into different art styles used by Japonisme artists (a lot of Impressionism, a lot of art nouveau). The presenter showed an image of The Courtesan (after Eisen), correctly (at least for me) noting that you wouldn't think it was a Van Gogh art piece because it's very different from his usual style, and then...went to a history lesson! The Black Ships steamed into Tokyo Bay and forced Japan to open its borders to trade for foreign nations at the exact time when art in Europe was looking around for new inspirations. Impressionism was one result of this hunger for the new, and Japonisme was another.
The presenter couldn't pronounce anything that's not in English, though, whether in French or in Japanese--she pronounced shogunate as "sho-GAN-te" and "ukiyo-e" as "yuki-oi."
As soon as the borders opened, Europe started importing all kinds of ordinary objects from Japan--cups, ceramics, prints, books, etc--which was extremely popular because it was new and different. Ukiyo-e art was also very popular, because it was something they had literally never seen before. Ukiyo-e artists cottoned on to that very quickly, and started making art specifically designed for sale to these exotic Occidentals. One example was Hokusai's manga, a series of sketches and drawings bound into multiple volumes that was very popular. In pottery, aritaware (named after the town of Arita, also often called Hizenyaki (肥前焼) became very popular and especially among foreign customers, so a ton of it was made for export. It was usually blue and white, with other color mixed in.
Then came the meat of the presentation, where we actually did art criticism! The presenter showed The Fitting by Mary Cassatt and Geisha as Lovers from Seirô Niwaka Geisha Ni No Kawari by Kitagawa Utamaro, and asked the audience to mention the similarities. A similar comparison followed with Van Gogh's Almond Blossom and Ogata Kōrin's Red and White Plum Blossoms (plus several other pairings, I'm not going to list all of them).
After the comparisons, the next section was about 洋画 ( yōga, literally "western pictures"), where Japanese artists were also inspired by all this Western contact and started making Western-style art, like Under the Trees by Kuroda Seiki or The Village of Kotaba by Asai Chu. This was pretty brief, before we ended with a list of resources for further research (primarily academic books on Japonisme) and then a Q&A. Sadly, no illuminating questions were asked, it was mostly about specific Japanese art forms that didn't make the jump to Western culture like kintsugi, though the question about the most surprising thing was interesting--the presenter said yōga, since she had expected (without any background in the subject) that there wouldn't be that much cross-pollination, but was totally wrong.
i left, almost running into a photoshoot but managing to side-step at the last second, and texted
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And we went over to the gacha area so
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And now we're home. We're tired. We're sore.
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She did say she was a bit suspicious, though. Uzaki-chan is a romantic comedy, but the shirt specifically says "Super huge!" (sugoi dekai), so whenever someone asked for her picture she was like "Hmm..."

The only downside were all the things we couldn't get to. We didn't get to see the Conbini panel and couldn't get into the Oregon Trail panel. We didn't go to the dance on Friday, which it sounds like might have had more music to
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Laila is going to come back with infinite energy and run both of us over. But we had a lovely time with all our friends. Looking forward to ACEN next year!