2016-Nov-07, Monday

dorchadas: (Legend of Zelda Zelda Dark Princess)
The Game Boy was kind of a weird time. There were a ton of puzzle games, exhaustively (and exhaustingly) covered in Jeremy Parish's Game Boy World series. There were the games that were brought over and then jammed into an existing series, like how 魔界塔士 SaGa (Makai Tōsho SaGa, “Spirit World Tower Warrior SaGa”) became Final Fantasy Legend. There were the ever-popular licensed platformers with almost nothing to do with their source material, like the Batman game where Batman ran around shooting all his enemies in the face. And there were the spinoffs from popular Nintendo franchises. Sometimes this turned out badly, like the first Castlevania Game Boy game where the developers had to add a ton of invincibility powerups as compensation for the incredibly cheap enemy attack patterns and level design. And sometimes it turned out well, like Link’s Awakening.

A couple of years ago, I went to a concert called Symphony of the Goddesses that features orchestral arrangements of Legend of Zelda songs--I first wrote about it here when I went to an earlier arrangement--and they had a focus on Link’s Awakening. In addition to gameplay sequences from the DX version of the game, they had anime sequences they inserted cutscene style, made specifically for the concert. It was listening to that, to the music from a game I had never played and watching Link work his way through the dungeons, that first got me interested in playing through Link’s Awakening. [personal profile] schoolpsychnerd and [livejournal.com profile] slarnos’s advocating for it also helped, and that’s why I started this game so quickly after I finished the previous Zelda game.

And I like the name a bit better in Japanese, I admit. Yume wo Miru Shima "The Dreaming Isle."


"I saw your name written on the back of your shield. Here, this shield!"
I, too, write my name on the back of all my possessions.

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